quotations about writing
I write because I hate. A lot. Hard.
WILLIAM H. GASS
The Paris Review, summer 1977
To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.
URSULA K. LE GUIN
The Guardian, December 17, 2005
Fiction -- at least for me -- requires long, relatively uninterrupted time stretches in which to bring it to fruition. I've never been a two-hour-in-the-morning writer, who could put in another six hours on Sunday afternoon. For me, a novel requires weeks of living in a largely mental and wholly internal landscape. Everything else has to be relegated to the odd hour here, the bit of time there. Sadly, however, uninterrupted time blocks are not what life doles out today to any of us with regularity.
SAMUEL R. DELANY
interview, SF Site, April 2001
I think that as a writer your responsibility is to search for and stir up the things that are in this world. There is violence in all of us, and beauty, and strength, and weakness. What's my job? To only write about the good and the beauty, or is it to write about all of it? That's my greater responsibility, to write about them as I see them and as they are.
MARKUS ZUSAK
"On Top of His Game: SLJ Interviews Margaret A. Edwards Award Winner Markus Zusak", School Library Journal, June 2, 2014
As far back as I can remember, I've been writing. I've always had this wild imagination, and I love to embellish stories to make them more interesting. When I was a kid I had all these intricate histories for all my stuffed animals and dollhouse families, which I would type out on this old manual typewriter my parents set up for me in the corner of our TV room. I kept writing all through middle school, and in high school I got diverted a bit, but I picked it up again in college. I really didn't think I'd actually be a writer until I graduated and found that I just couldn't stop and go get a real job. Every time I finished something, another idea would follow right behind. So I went into waitressing and just wrote like crazy. At times it seemed really stupid, since I was totally broke and there was no kind of guarantee that I'd ever see anything come of it. Luckily, it did. But even if I hadn't sold a book by now I'd still be writing. It becomes a part of you, just something you do.
SARAH DESSEN
interview, Puffin Books
I like to have a thing suggested rather than told in full. When every detail is given, the mind rests satisfied, and the imagination loses the desire to use its own wings. The partly draped statue has a charm which the nude lacks. Who would have those marble folds slip from the raised knee of the Venus of Melos?
THOMAS BAILEY ALDRICH
Ponkapog Papers
First, think in as homely a way as you can; next, shove your pen under the thought, and lift it by polysyllables to the true level of fiction.
CHARLES READE
Peg Woffington
It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.
CHINUA ACHEBE
interview, Okike, 1990
Only the hunger for something beyond the personal will allow a writer to break free of one major obstacle to originality -- the fear of self-revelation.
JANE HIRSHFIELD
Nine Gates: Entering the Mind of Poetry
The less attention I pay to what people want and the more attention I pay to just writing the book I want to write, the better I do.
LAWRENCE BLOCK
Newsweek, July 13, 2009
Nothing bad can happen to a writer. Everything is material.
PHILIP ROTH
attributed, Literary Agents: How to Get & Work With the Right One For You
Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.
JOHN BANVILLE
attributed, Irish Writers and Their Creative Process
I tend to be very much a planner. I mean obviously details veer in the telling all the time, that's clearly the case, but in terms of the broad architecture of a book I plot carefully and if things start to veer halfway through, I tend to stop and either pull them back on course, or if I realize they are going in a better direction, I extrapolate and work out what effect this is going to have further down. I am not one of these writers who is able to enjoy flying by the sit of my pants. And there's no value judgment there, incidentally. I am very well aware that some absolutely fantastic, wonderful writers do that. For me, no, I cannot do it. I have to plan quite meticulously.
CHINA MIÉVILLE
"In a Carapace of Light: A Conversation with China Miéville", Clarkesworld
Storytellers are a threat. They threaten all champions of control, they frighten usurpers of the right-to-freedom of the human spirit -- in state, in church or mosque, in party congress, in the university or wherever.
CHINUA ACHEBE
Anthills of the Savannah
The process of creating is related to the process of dreaming although when you are writing you're doing it and when you're dreaming, it's doing you.
ROBERT STONE
attributed, A Writer's Book of Days
If people did not want their stories told, it would be better for them to keep away from me.
SHERWOOD ANDERSON
A Story Teller's Story
The purpose of a writer is to keep civilization from destroying itself.
ALBERT CAMUS
attributed, 2012: Waking of the Prophets
You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.
HAROLD PINTER
The Progressive, March 2001
I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.
MARTIN AMIS
The Paris Review, spring 1998
It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997